#which like… seems like it goes without saying but a lot of people do just decide their pet is too old and surrender it to a shelter

[dreamsteddie]

Can't Take My Eyes Off You

Written for the @stmarchmm day one prompt “courting rituals” | Tags: Alpha/Beta/Omega Dynamics, Courting Rituals, Alpha Eddie Munson, Omega Steve Harrington - Also on Ao3

Bat divider -@popmilky | Diamond divider - @inklore

Eddie knows he doesn’t have much going for him in terms of mating material.

Despite presenting as an Alpha early at age twelve, something that should have given him some kind of status in a town like Hawkins, there’s always been something about him that makes people turn their noses up at him, close doors in his face. He’s kind of wishy-washy when it comes to the things he’s not passionate about, he smells like wet pavement and cigarette smoke, and can’t for the life of him seem to graduate high school.

He also can’t grow a beard, can’t remember to separate the darks from the lights, can’t tie his shoes without using the bunny ears method, can’t hop in place and rub his tummy, can’t- 

Well the point is, there are a lot of “can’t”s in his life and never a whole lot of “can”s

The one thing Eddie can do without a shadow of a doubt is pursue delusions of grandeur with a single-minded determination. No matter how hard this shit-hole town and all its designation-obsessed inhabitants have tried to beat him into the dirt over the years, he’s never let go of his dreams. Some day, he’s going to play songs for the entire goddamn planet, making millions of dollars off lyrics inspired by all the games and books that have gotten his head shoved in the Hawkin’s High toilets over the years, and Mayor Kline will have to give him a key to the city while Eddie Munson, town freak, gives him the middle finger.

And, if all the stars align and the Big Guy upstairs he doesn’t believe in does him several solids, he’ll be doing it with Steve Harrington standing by his side.

The guys think he’s crazy—Eddie thinks he’s crazy—but Eddie is determined to give his all into courting Steve Harrington before their shared senior year ends. He’s, by and large, the most eligible Omega in all of Hawkins, even with his recent breakup with Nancy Wheeler under his belt. No amount of ditching the popular crowd, adopting a bunch of children, and becoming best friends with band geek Robin Buckley has been enough to deter the Alphas of Hawkins High, even if some of them won’t admit it.

Eddie takes great pleasure in watching every failed courting offer. Steve has always been picky about who he lets take him out, but he hasn’t taken up a single Alpha’s offer since Nancy and the rejections are getting more brutal by the day. Eddie suspects it’s Robin’s influence and if that is the case he needs to thank her profusely because Eddie goes a little weak in the knees every time he sees Steve literally turn up his perfect nose at an offer.

So, the odds aren’t looking good. Steve is picky and Eddie is famously a poor, nobody freak, not the kind of guy with the resources to properly woo a guy like Steve, but what Eddie does have is a lot of passion and a strong desire to prove himself. 

So Eddie has a capital P Plan.

“Hey Buckley,” Eddie says sliding up to the girl where she’s packing up at the bleachers after practice. She gives him a scrutinizing look and clearly finds him lacking, squinting her eyes at him like he’s a little bug landed on her shoulder. Irritating and suspicious. Which, rude. “I was wondering if a fine lady like yourself would happen to know what one Steve Harrington might be hoping for in a courting” Robin clearly wasn’t expecting him to come right out and ask, her blue eyes going wide.

“What the fuck, Munson!” She crows, clearly embarrassed by his lack of tact.

“What!?” He fires back, not understanding what the big deal is. He wants to court Steve and Robin is the best source of information on how to go about it.

“You can’t just ask that, you doofus,” she hisses, lavender scent going smokey like brush fire.

“Why not? I want to court him, like, publicly. Everyone’s gonna know in a couple weeks anyway. Shouldn’t you be glad you’re the first to know?” He huffs. He knows it’s not exactly the done thing to go around telling people you’re going to court someone. You’re supposed to be delicate. Hint at it and build up little courting gifts and don’t look anyone in the eye. It’s dumb as hell and Eddie wants no part of it. Besides, so far as Eddie has seen, that method hasn’t worked on Steve anyway. Eddie may as well go about this in his own way, which includes getting insider information.

Still clearly not impressed, Robin says “You? You want to court Steve? Resident anti-conformist, jock-hating, Eddie Munson wants to court Steve Harrington. Why?” Her tone is clearly disbelieving, which, again, rude.

“Uh, I mean, have you seen him with those kids? He’s wicked hot with that whole mom thing he’s got going on.” At that, Robin gags. “And, I mean, I know he’s a jock but he’s also an Omega and he pretty much said fuck it to Hawkin’s High when he presented and refused to give up his position as captain. That was super fucking metal,” he says all earnest.

“And I like the way he smells, like a fresh cinnamon roll. And we shared an English class once and he asked me about the doodle of a Beholder I worked on instead of taking notes. And I know I’m not exactly a prime Alpha but I don’t think that really matters. At least not to me. I want to kiss him and make sweet love to him and have babies with him and -” Robin cuts him off with a hand over his mouth.

“Ok, I get it. You like him.” She says that, but she’s still looking at him like she can’t figure him out. “Alright…I don’t know if I like you Eddie but I’ll throw you a bone. Just one, got it? And if you fuck it up, I’m not helping you again.” She says, waiting for him to nod before removing her hand from his mouth.

Eddie takes a deep, overdramatic breath in like he’s just breached water. “Got it.”

Robin takes a deep breath of her own. “Steve’s been propositioned for courting 19 times since he presented and he’s only said yes to one. One-off dates not included.” She hasn’t stopped looking him straight in the eye, making sure he pays attention. “Nancy gave him a set of handwritten notes for history because she noticed he was struggling. All the other Alphas got him fancy jewelry, useless house stuff, and generic valentine's day crap.” With that, she gives him one last, long look before grabbing her trumpet and leaving, the sound of metal clanging under her feet following in her wake.

“Thanks, Buckey!” He calls out, waving his hand wildly at her retreating back. She ignores him.

Well, no matter. He’s got a courting to plan.

The thing about courting when you have $3.45 to your name after rent and gas is that you have to get creative. Which isn’t a problem, Eddie breathes creativity. If he wasn't already “The Freak” he’s sure he would be Eddie “The Creative” Munson. Really, it has a nice ring to it.

The problem comes with making something with $3.45 that is also a worthy courting gift for Steve Harrington. Which, given Robin’s tip, might not be as big a concern as he would have thought. But even if Steve would be happy with a heartfelt love letter and those peanut butter brownies Eddie knows he likes, there’s a part of him that wants to blow every other Alpha and Beta that came before him completely out of the water. Maybe especially Nancy Wheeler.

Sue him, he wants to be the best.

Which leaves him with the option of a gesture. Eddie loves a gesture, but this one is going to require some help. Luckily, Eddie knows where every gang of geeks in Hawkin’s makes their dens, even if they’re not his gang of geeks. It comes with being Head Freak. It’s his responsibility, really.

Which is how he finds himself in the Hawkins Middle AV club room being stared down by a bunch of beady-eyed thirteen year olds on the verge of presenting. Jesus, these kids are intense.

“So yeah, that’s what I’m planning,” he finishes explaining. Would it kill them to look a little impressed? He’s pretty proud of it himself. Instead of sharing looks of awe, the six of them share looks of judgement between them, obviously having a silent conversation between them like some kind of hive mind. Eddie will never admit it makes him sweat a little bit.

“You want to ask to court Steve. Steve Harrington?” the tall, skinny one asks like he can’t believe it. Eddie doesn’t know if the disgust is for him or for the Omega. Either way, ouch.

“Yes,” he replies, sweating a little more. They all share more looks, the redhead in particular is looking at him like he’s gum stuck on the bottom of her shoes. 

“Why?” The curly one asks, firm and more seriously than any kid that dorky looking should have any right to speak. Seriously, he looks like a poodle in a Star Wars shirt and a trucker hat. But, Eddie knows enough about Steve to know that these are his kids, his pups, and despite how much it chafes him to have people continually asking why he wants to court Steve, like it isn’t obvious, he knows these pups are just looking out for their pack Omega.

With a deep sigh, Eddie explains for the second time in less than a week, everything he loves about Steve Harrington. At the end of his speech, the pups stare at him for a long moment before simultaneously turning their back on him to form an honest to God huddle. Seriously, the hive mind thing is looking more and more likely. Maybe he should use this for a campaign. Very Children of the Corn.

While Eddie is lost in his musing, they seem to come to some kind of conclusion, breaking up and returning to one solid, unbreakable line. It’s the other girl, hair short and at that awkward growing out length that Eddie knows all too well that steps forward. All these kids are intense, but there’s something especially severe about her, something Eddie only half recognizes.

“We will help you,” she says, quiet and solemn. 

This is going to fucking fantastic, Eddie thinks, wild grin splitting across his face.

It’s embarrassingly easy to sneak a band of six middle schoolers and one elementary schooler into the school after hours. The kids met him outside the building just at exactly 4:00 PM the Friday after their meeting in the AV room just as they planned. The addition of the feisty ten year old was unexpected, but she proved herself invaluable in charming the one teacher that stopped them on their way to the radio room, spinning some tale about being so excited for higher learning that they wanted to explore the high school. Eddie thinks Erica Sinclair should run the world.

The kids are a well oiled, if slightly annoying, machine. As soon as Eddie pops the door open they’re getting to work figuring out how the PA system works and how long the range is. Dustin and Lucas insist that they move the entire unit closer to the field, and Max and Will are quick to source a cart for the whole thing. In record time they’re all piling into the coaches office, the one with a clear view of the basketball court where the team is running their Friday drills. Honestly, it feels a little like they’re highjacking Eddie’s plan, but the smiles on their face and their puppy sweet excitement softens the blow a little.

“You ready?” The curly haired one, Dustin, asks while offering him the mic.

“I was born for this, Dusty,” he says, snatching the mic out of his hand and taking his place outside the main gym doors.

Despite what he said, Eddie is nervous. He shakes his hands and bounces in place, trying to shake it off. Before he’s ready, he hears the slightly crackly jazzy intro pouring through the speakers. He counts his beats, waiting for his que. He spent hours planning this, recording the background music with the band, turning the lyrics over and over in his head, even practicing his grand entrance. He’s as ready as he can be.

God, he hopes this works.

And there’s his que, that little pause in the music just enough time for him to push open the doors to the main gym with all his strength, relishing in the dramatic banging sound.

All eyes are on him. Steve’s eyes are on him.

You're just too good to be true,

Can't take my eyes off of you,

He sings as he walks. All the activity in the gym has come to a halt, everyone too confused and curious to stop it. He’s looking right at Steve, who turns his head like he’s expecting to see someone else behind him. He’s so cute, Eddie wants to eat him alive.

At long last love has arrived,

And I thank God I'm alive,

You're just too good to be true

Eddie knows he doesn’t have a lot of time, any moment now principle Higgins and his one security lackey are going to bust through the doors to find out who stole the announcement equipment. This is the moment, the one that needs to count. Eddie saunters right up to Steve like his heart isn’t trying to beat out of his chest and kneels down like a knight to their king. He takes his hand, and Steve lets him as he sings the next line looking right up into those beautiful hazel eyes.

Can't take my eyes off of you.

He turns the hand in his own over to expose the Omega’s wrist just as the music pauses and presses a soft, lingering kiss to the gland there. A courting kiss.

Almost like he planned it, the doors burst open a second time revealing the fuming face of Principle Higgins and his goon. He turns a manic grin Steve’s way just as the music picks back up, cutting straight to the chorus. He presses one last kiss to Steve’s wrist and takes in the way his pretty, pink lips are parted in disbelief, eyes wide and then he’s running.

I love you baby,

And if it's quite alright,

I need you baby,

To warm the lonely nights

Let it never be said that Eddie Munson, for all the ways he fails to be the ideal Alpha, doesn’t have a hell of a lot of stamina. He’s been a proud runner all his life, and he’s using it to his advantage today to put on a show. He’s singing and he’s running as Higgins and Officer Jerry chase his tail like they have any hope of catching him when he doesn’t want to be caught, when he can see the most beautiful boy in the world laughing at him in disbelief as he ducks and dodges around the court.

But even Eddie has his limits and, like he said, he planned this to a T. He can feel himself running out of breath but he refuses to call it before the climax. He’s stomping his way up the bleachers, making a show of going between the rows dancing like he’s in an old hollywood musical. Higgin’s is closing in, but there’s now way he’s getting caught. Not today. He puts in a burst of speed, leaving them in the dust and putting himself right at the top of the wooden stands, singing directly to Steve who is absolutely glowing on the court.

And let me love you,

Baby let me love you…

The music gives one last swell, the Corroded Coffin of two days ago pouring their heart out for the Eddie of today. The music comes to an abrupt halt, the gym very quickly filling with laughter and applause. The kids are screaming their heads off in the office, loud enough to draw Steve’s attention to where they can be seen through the large window. The joy and disbelief on Steve’s face makes all of this worth it, no matter what happens next.

Eddie wishes he could relish in it longer, but the goon squad is gaining ground fast and he has one last message to give before he hauls ass into the next phase of his plan. He starts inching his way toward the exit, not taking his eyes off Steve as he goes. He needs him to hear this.

“Steve Harrington, it would be the honor of my life to court you with the intention of mating. Meet me at the lake at seven if you’ll hear me out.” And with that, he’s gone. He wishes he could stay to see his reaction, but he’s out of time.

He pushes through the emergency exit to the sound of hollering and clapping, all he can do now is commence with phase two.

Phase two mainly consists of picking everything up from the trailer, changing into his nice clothes, and heading toward Lover’s Lake to set everything up.

Eddie thinks this is the most nerve wracking part of the whole plan. In many ways, the whole big performance was the easy part. Eddie loves to perform, eats up the attention like a cat laps up milk. This, the full bearing of his heart to the Omega he wants to spend his life with, is far scarier than anything else. Here in the back of his van, the paper hearts and pillar candles, hand-picked daisies and hand-made peanut butter brownies, leave him completely exposed.

He wonders if Steve will show up.

He wishes he didn’t set up so god damn early. The waiting is excruciating.

The Alpha paces around, adjusts the blankets on the bottom of the van and then decides they were better before, and checks his watch every half minute like it will make time move faster. He sits and watches the hands turn from 6:59 to 7:00. Maybe Steve won’t come. Maybe this was all for nothing and he’ll have to go back to school on Monday and pretend like he isn’t heartbroken.

His watch continues to tick. 7:03, 7:07, 7:10. He’s getting ready to pick it all back up when he hears the muffled sound of tires on soft dirt. Suddenly, his heart is in his throat as he watches the distinct headlights of his favorite Beamer turn into the clearing.

Eddie scrambles to his feet, he has a plan to carry out.

He watches, heart in his throat as Steve parks. Watches as the door opens and Steve emerges, a sweet, sheepish smile on his face.

“Sorry I’m late.” Steve looks like a dream. He clearly went home and had a shower and a change of clothes. He’s wearing light wash jeans that hug his thighs and a soft looking, deep red sweater, the collar of a white dress shirt peeking out from underneath. He’s dressed up for Eddie.

There’s a long pause where Eddie forgets how to speak and Steve just stands there, clearly waiting for Eddie to make a move. Eddie comes back to himself all at one, shaking his head hard like a dog, making Steve let out a startled laugh. “What the hell?” He asks, not mean, but bemused. 

“My deepest apologies my liege, I was simply stunned by your beauty,” he says with a half bow, extending his arm for Steve to take. “It is my pleasure to welcome you to Cafe Munson, the finest pop up restaurant this side of Indiana.” It’s goofy and a little ridiculous but Steve takes the offered arm with a little smile, sending a pleasant jolt through his body. 

Eddie leads Steve toward the open back of the van, watching him intently as he takes it in. He gets to see as the Omega’s eyes go wide, mouth parting in a little gasp. When he turns to look at Eddie, he’s already looking back. “You did this for me?” He asks, wonder coloring his voice. All of a sudden Eddie feels a little shy, a little sheepish.

“I know it’s not much, I’m not exactly liquid at the moment, but I wanted to do something nice for you,” he says, unoccupied arm reaching up to tug a piece of hair over his mouth. Steve looks at him for a long moment before turning back to the van. There are blankets everywhere, pretty much every one from the house plus a couple he nicked from Gareth’s house after practice. The emergency pillar lights from the pantry give the space a soft glow, paper hearts hang from string from the metal roof, and a repurposed laundry basket full of tupperwares and miller lites sits in the center.

“It’s perfect” Steve says, and Eddie can’t help but believe him. Not when his scent is blooming, cinnamon roll sweet, right under Eddie’s nose.

Eddie leads him to the van, gives him his hand to help him into the back. He takes a moment to take it all in, Steve Harrington settling into a date with Eddie Munson. It’s his biggest dream come true. 

He climbs in after the other boy and starts pulling out tupperwares. Steve has settled in to lean on the wall of pillows Eddie constructed for just this reason, pulling a blanket over the both of them when Eddie settles in next to him. Steve laughs with every overly dramatic introduction he makes for the food, and Eddie doesn’t think he’s ever been this warm. Neither of them brings up why they’re here, the underlying meaning behind it all. They dance around it, laughing about the kids, Steve’s sports and Eddie’s games, the look on Principle Higgin’s face when he burst into the gym earlier that day. The whole place smells like cinnamon and smoke, Eddie doesn’t think there’s a better smell in the whole world.

They don’t say a thing about courting or mating or scents until they polish off their cold pasta, courtesy of Wayne, and Eddie pulls out the last tupperware from the bottom of the laundry basket. “And for dessert, may I have a drumroll please….” Steve rolls his eyes but smiles as he complies, drumming a little beat with fingers on the side of the van. Eddie pulls out the container with a flourish, “The finest peanut butter brownies $3.15 worth of ingredients from Melvald’s can get you.” He expects laughter, maybe some light teasing as Steve has been shown to enjoy throughout the night, but all he gets is silence. 

He worries, for a moment, that he got it wrong. Maybe Steve doesn’t like peanut butter brownies. Jesus H Christ, maybe he’s allergic to peanuts and Eddie has just massively fucked this up. He’s getting ready to spiral and try to fix it when Steve speaks, voice soft in a way Eddie can’t place.

“Those are my favorites,” he says. When Eddie is brave enough to look at his face again, he’s met with wet, adoring eyes. Eddie doesn't know if anyone has ever looked at him like that before. Like he was something magical. Something special just for them.

Eddie clears his throat when Steve doesn’t say anything else. Just keeps staring at him like he’s waiting for something big. “Yeah, yeah I know,” he says, bracing himself for what comes next. “I uh, I saw you buy some at the club fair last year. You bought three of them and then came back for one more before they closed the booth.” It shouldn’t be such a big admission, but it feels like he’s just handed Steve his heart on a silver platter.

“Eddie?” Steve asks, turning toward him fully.

“Yeah?” Eddie asks, sitting up so they’re eye to eye.

“What you said, on the basketball court, will you ask me again?” He’s looking at him with so much hope in his eyes, Eddie almost feels like he could choke on it. Instead, he focuses in on the perfect scent of the man next to him, breathes steadily in and out.

“It would be the honor of my life to court you with the intention of mating, Steve Harrington.” As he says it, he reaches into his pocket for his last offering, his hail mary pass, his death saving throw. It’s a silly thing, cost his last 30 cents at the stationary store, but he was listening to Robin on those bleachers that day. Knows that the gesture and the picnic are all well and good, but what Steve has been missing with all those other Alphas is someone who notices the small details and holds them close. Someone who cares about his C+ in History, someone who knows his favorite brownies are swirled with peanut butter.

Someone who notices that he lost his eraser last week and has been meaning to pick up a new one.

Eddie holds out his heart one last time, it’s shaped like a 30 cent eraser. White and covered with a paper band. The best one on the market.

Steve stares at the little eraser like it contains the answers to the universe, and then he’s plucking it, oh so gently, out of his hands and cradling it in his own. Eddie waits, the ball is completely in Steve’s court now, Eddie has played all his cards.

Suddenly, Steve scent starts to bloom, even more than it did when he first saw the van. The smell of sugar, cinnamon, and yeast so strong it makes Eddie feel light headed. Eddie gets a glimpse of the most beautiful smile in the world just before Steve is throwing his arm around his neck, nudging his way into his lap to notch his head right at Eddie’s scent gland. Eddie’s arms instinctually wrap around his back, keeping him close.

“Yes,” Steve says, the sound of it muffled by the soft skin of Eddie’s neck. Eddie squeezes him tight, knows he needs to ask, just to make sure but worried he’s hallucinating. Scared to believe he’s getting everything he’s ever wanted.

“Yes?” He asks, lips trembling where they’ve found their own place at Steve’s neck, wanting to be as close as possible, just in case.

“Yes.” And Steve is pulling back, which Eddie hates, and cupping his face in is hands. “It would be the honor of my life to accept your courting offer, Eddie Munson,” he says, sure and steady and full to the brim of hope.

“Holy shit.” Eddie can’t believe this is happening. Despite all the planing and the performing and the putting his heart on the line he never actually let himself think that this would happen. Never let himself think about how it would end.

Without much though Eddie barrels forward to bury his head back into the Omega’s neck, his Omega’s neck, peppering him with fervent little kisses until Steve is giggling so hard he tips them over into the pile of pillows behind him. Eddie is full to the brim with joy, happier than he’s ever been and all of a sudden he needs to move. Needs to let the whole world know what he’s got in the palm of his hands.

He jolts up with one last kiss to Steve’s cheek, managing a quick “be right back!” before he launching himself out of the van. He hears Steve calling out in confusion, but it quickly turns into more joyous laughter as Eddie steps out of the van and starts jumping in place, punching the air and whooping into the night sky.

“Fuck you Hawkins! I’m courting Steve Harrington! I’m on top of the God Damn world!” He gets in one last double bird in the general direction of Main Street before Steve is calling him back in.

“Ok, you’ve had your moment. Now get your ass back in here and kiss me for real, you dumb Alpha,” he says, laughter still caught in his throat. And really? Who is Eddie do deny a request like that?

So excited for MMM, guys! I won't be doing every day, but I will be doing at lest a couple of full one shots and some of my normal ramblings. (Also, this is the longest thing I've ever written that wasn't an academic paper and I am low key very proud of myself)

[mochinomnoms]

Do you think it's possible for Jade and Floyd to be in a relationship with someone long enough without getting "bored"?

Cuz I like reading Twst x reader fics, but with these two, it's hard to imagine taking a relationship serious enough (especially Floyd) I know I'm probably overthinking this but it's fun to think about.

I'm curious to know your opinion on this.

Yeah! I def think so, I mean they've stuck around Azul for quite a few years, and despite what any of them might say, they do care greatly for each other. I think deep down they do consider each other friends and not just accomplices, but admitting that requires them to be vulnerable, which is a no go for any of them lol.

I mean, consider at least Jade's dream in Book 7! His dream revolves around Floyd and Azul happily going along with his silly whims! Floyd's dream, where he does whatever whenever he wants, has him miserable! I think both of them do value their friendship with Azul quite a bit, it's just hard cause they 'perform' a certain way that makes people on the outside not see it that way.

Part of that though is due to Azul himself not being a 'boring' person to be around, his personality typically meshes well with theirs and vice versa. As such, I think the partner they'd seek out would be similar, someone who would mesh well with them and from the bat isn't 'boring'. Both of the twins are complicated characters in their own right as well, much more that the surface level 'bulter-esque' and 'chaos incarnate' personalities that is attributed to them often, both in-game and fandom wise.

And an additional point, they're still young! Even if you age them up from canon to be college-aged like I do for all of my works, 18-21 is still really young! You're still learning the world and your place in it and your personality goes through a lot of changes as you mature and meet more people. Of course a young man would be focused in on people who don't 'bore' him, he's just going through life! There will be a natural development as the two grow older and met more people, they won't be so focused on being entertained, but rather seek something more lasting in a partner.

And lastly, the nice thing about fanfics is that we can imagine whatever we want! Hehehe, it's nice to just write or read characters in scenarios that we might not typically find them in, so just have fun when reading stuff. I have my own opinions obvi, which reflects in my writing, but just have fun with reading stuff even if it seems a bit out of character!

[fernsnailz]

Hi, I saw your Metal Sonic comic dub and I thought it was amazing. I was wondering, but what does Metal's outfit represent? I know Trans culture is prevalent in comics these days, but as a boy I used to think longskirts were neat, like a Samurai's Hakama or the worn, long cloak of a wanderer.

glad you liked it! the intent of that comic (good future) is that metal is transgender and that outfit is an expression of her beginning to display her new identity. though i do like the comparison to a hakama, my design intention was to portray metal casually wearing a pleated long skirt.

overall, the outfit is meant to be a representation of the choices she's allowed to make for herself now and the help she's received since eggman died. most importantly, it's meant to show a new starting point for the character rather than an ending.

i wrote a bit about my intent behind the pieces of that outfit that i put under the readmore here since it's a little long 🛝

i chose the skirt for a number of reasons (shorthand for showing metal is trans without explicitly saying it, practicality of what a robot could actually wear, etc), but tbh it's mostly meant to be reminiscent of neo metal sonic's design. neo metal sonic's look is really interesting to me because it shows that, when previously allowed the ability to choose what he looks like, THIS is what metal sonic goes with:

neo's waist piece isn't really a skirt, but that element of a long, flowing fabric piece always really stuck with me. it's meant to be intimidating and make neo seem even larger than he actually is, but there's also a certain elegance to it i really like. a skirt was a logical neighbor of this design to me, so i ran with it - a flowing skirt shows that metal is a bit more loose and subject to change, but also fills out her silhouette and shows that she's much fuller as a person now. there's a certain presence and comfort to it that neo was simply performing, but metal truly feels now.

the other two pieces of the outfit are also important! the shirt and the sweater metal wears in good future are actually pieces of clothing you can find elsewhere in born to fail.

the sweater you can find within good future, where belle is actively giving it to metal. but the shirt piece is a little harder to spot - it's actually intended to be amy's shirt that she wears in the comic i made about her and metal.

it's a pretty generic button down and i also didn't color it similarly so tbh i would be surprised if anyone has ever picked that one up LMFAO

the element of choice is the most important thematic piece of metal's outfit, but i also wanted to show that the help she's received over the past year is incredibly valuable as well. though good future makes it clear she isn't entirely sure how she feels about living alongside these people yet, a lot of them have still chosen to reach out and help her.

like. this is my thought process here: metal realizes she wants to wear clothes for whatever reason. what's she gonna do? go to a STORE? most of the world still sees metal as eggman's ultimate killing machine and would kick her out the mall with a broom. so for now, she receives hand-me-downs from her sorta-kinda-friends - at least, from the ones that actually wear clothes at all. which is pretty much just belle and amy.

overall though, this outfit is intended to feel just a little off - not wrong, but more like a first draft. it's only been a year since eggman died, and metal is still in the process of even learning how to BE a person so like. she's still figuring the whole gender thing out lol. but it's ok because she's rocking that shit anyway

also i do have another design of metal a few years after the events of this comic! i wanted to explore what she looked like once she really settled into her new self, and drew inspiration from various punk and goth (specifically cybergoth i think? sorry everyone who knows more about fashion than me i'm bad at subcultures) fashions.

but yeah erm. long story short: shes trans and figuring shit out 👍

[snarltoothed]

okay like two out of three of my cats are like… on death’s door basically despite them being all roughly the same age and sharing the same genetics (mother aged 16, son and daughter aged 15) and while i’ve accepted that i’ll be exceptionally lucky to get even another year or two with the momma cat (bonded to me) and that her son (bonded to my mom) is not too far behind… despite being the runt 15 years ago, the daughter (also bonded to me) is still quite spry and in good health so i literally tell her sometimes like you’d better live til you’re 20. i need at least five more years with you and also some time in between you and your mom dying. please.

[nefastnefertiti]

WHY CHAPTER 431 OF MY HERO ACADEMIA SCREAMS CENSORSHIP

First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.

Original japanese for those who understand.

The best traslation I found and most people are agreeing with.

Key sentences are:

1.The real final chapter is 429, 430 is more like a curtain call.

2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.

This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.

(They're talking about Vol 37 cover)

And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.

It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?

The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.

Dabi, 431 and by Horikoshi

Toga and Ochaco in 431:

Toga and Ochaco by Horikoshi:

All Might's signature for Katsuki (Horikoshi would never mess this up):

Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.

Katsuki's odd teeth what the fuck. (His hand looks good to me)

Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.

And this awful background (center) was the main giveaway.

Horikoshi's backgrounds are so professional:

At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.

I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.

Character's development wise now.

Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?

Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.

430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.

Ok.

Now specifically about that ship canonization and bkdk.

Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.

I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.

Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.

About 431 again though.

I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.

And I think this could be Horikoshi's case.

I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.

I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.

PS:

It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"

I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.

Thanks for reading!

[foldingfittedsheets]

FFS’ Guide to Mattresses:

The following is a non-comprehensive list of questions I get asked a lot and is hopefully a good resource for anyone looking for a new mattress. I am not a scientist. I just sell beds. All bed knowledge is centered in the US, my apologies to international folks.

If this guide proves helpful you can consider popping a tip over on my Ko-fi to say thanks!

What’s the first step?

Well, first thing is gonna seem kind’ve obvious but a lot of people get mattresses secondhand and don’t think about it. Determine the feel you like! There’s no reason to sleep on a hard bed unless you like it, it’s not any better for your back. The three standard feels are firm, medium, and soft. Soft is called plush for stupid reasons. So find out which you like! It’ll narrow down what you look at, and save you time.

When trying out mattresses, use an A-B method. Do not compare every bed. Compare two at a time, otherwise you end up a confused mess. Pick one between the two that you like better, then put that one up against the next choice.

When you eliminate a bed it’s dead to you. Forget it. It was not as good as your new favorite and does not deserve to be remembered. If you cannot pick between two you will be tempted to try a third- this is the devil talking. A third will just make your life harder. If you truly can’t pick between beds that are comparable and they both feel nice after feeling your feelings then pick the cheaper one.

Lastly, mattresses are a huge example of “you get what you pay for”. Investing will pay off. Don’t get sticker shocked, budget what you can but know that mattresses can be freakin expensive. If you go into a store and see $5000 price tags, don’t worry, that’s not all they carry, but focus on the feel of the bed at first rather than price tag.

If you find one you love but it’s too much, the salesperson will know a comparable roll down or will usually try to help you get a deal. If you can admit, “I like this but it’s too much” they’ll work with you to find a solution.

What firmness is best?

This varies person to person but firm beds are not necessarily better for your body. Really. There’s two parts to a good mattress: support and comfort. Support goes underneath and is generally springs or incredibly dense foam. If a bed has good support, you can get away with lots of comfort.

The comfort layer exists to be gentle on your joints and pressure points. People who sleep on their side really need this comfort layer. Without this your shoulders and hips can’t circulate blood and you’ll end up tossing and turning every time your arm starts to fall asleep.

Back in the 1950’s when interconnected coils were the only thing on the market it made sense that you needed them to be firm, otherwise you’d get no back support. But nowadays coils are individually free standing, they do a much better job supporting bodies and bonus, they don’t have to be rock hard.

Most people should get somewhere around a medium bed rather than super firm or super soft but it depends on the persons preferences as all three can be good for you.

How can I tell if a bed has good support?

I’m so glad you asked. You lay on it. There’s a natural curve to the human spine. Lay first on your back. The arch in your lower back, that’s your lumbar. A good bed will push up and fill that area. If your muscles are trying to maintain that arch all night without help it will cause back pain and tossing. The more a bed fills your lumbar the better you can sleep.

Next, lay on your side. You’ll want to focus on your shoulders and hips. Good support on your back is great, but a mattress should have enough squish not to pinch off circulation. Lay for at least five minutes on your side unless you hate it right off the bat, I’m not saying every bed needs this in depth just the one you’re seriously considering. If you feel like you already need to roll over it’s too hard, go softer.

Should I get a topper?

A thousand times no. Toppers are used as a wide ranging bandaid from “there’s a hole in my bed” to “my back hurts”. Commercially available foams in toppers are significantly worse than the foams found in beds. They break down faster and sleep hotter than what they make mattresses with.

The only scenario in which you need a topper is if you’re stuck with a bed that’s too firm for you and you need it a little softer. That’s it. It can make your bed a little softer. It cannot fill holes or fix a bed with bad support. Generally aim to be over $200+ or the topper will break down ridiculously fast and be super hot to sleep on.

What do I do if there’s a divot in my bed?

First off, waterproof protectors can help avoid this problem, so take your bed divot as a life lesson and use a protector on all beds going forward. Our sweat and humidity breaks down foam like nobodies business, causing permanent damage.

So you have a divot, what now? Depends how entrenched it is. When beds get slept on every night for years the foam where a body lays compresses down, and the foam around it stays untouched. You’ll naturally start sinking. But you can get up and walk or crawl along all the foam that isn’t get slept on. If your divot is years deep it may be beyond saving but it’s worth a shot.

You can also rotate beds head to foot every six months and switch the side you and your partner sleep on or sleep all over the bed if you’re alone in it.

If the bed is over ten years old thank it for its service and get a new bed.

When should I get a new bed?

It’s worth checking your sleep quality at ten years into a mattress. The average life expectancy of a bed is 7-9 years. Not because the bed gave out necessarily but because human bodies change. We gain and lose weight, suffer injuries and age. A bed that worked for us eight years ago might not be what we need anymore. So just general age check is good. This is subject to the kind of mattress, bed in a boxes average 3-4 years of comfort so check in sooner.

But additionally: if your bed has a deep body trench where you’ve been sleeping, or if you’re waking up achey or in pain. There’s health problems that can reduce your sleep but a lot of people never suspect their mattress is sabotaging their rest, so keep it in mind.

How do I clean my bed?

Oh boy. You don’t. This goes back to water proof protectors. Your bed is not something you can pop in the wash. But it is something you will sweat and live in for upwards of ten years. Dust mites, dead skin cells, dust mite corpses, dust mite feces, allergens, skin oils. All those things will seep into the bed over time and spoiler alert it’s not great to breathe it in every night.

Sheets only catch a fraction of it, so a waterproof protector keeps the bed safe from your sweat breaking it down, but it keeps you safe from all the things that can build up in a mattress.

If you must clean a mattress I recommend a professional steaming service rather than trying to do it on your own but take this going forward: always protect your bed.

When should I get a new pillow?

Does your pillow have a waterproof protector on it? If no the answer is probably “right now”. Doctors recommend keeping a pillow no more than two years. This is because they’ll lose support and get yucky gross over those two years. If you get a memory foam pillow and get a protector on it they can last way longer. My oldest pillow was around seven years old.

Cheap polyfill pillows you buy at Target or Walmart are really only going to last three months before they wear out. If you are using more then one pillow at night you need a new pillow. Every time you have to wake up and adjust the multiple pillows you’re losing sleep.

Memory foam pillows can be more expensive but will last exponentially longer so save up and spend $50+ on a pillow you’ll actually get to use for a long time rather than $10 on one that will give you a few months of comfort.

What do I look for in a good pillow?

A good pillow is an extension of your spinal support. It should keep your neck aligned with your spine. Ideally, you are laying on a bed to try out a pillows height. It should match the width of your shoulder.

Most mattress stores can fit you for a pillow, but you can also bring a buddy to check your spinal alignment is straight. Side sleeping is most critical to get the height right. Back sleeping you just don’t want it too tall to force your chin down, and stomach you want it low enough not to push your neck up.

I replaced my pillow, now what?

Okay so now you might curse my name for a few days. Bodies are creatures of habit and hate change. Your neck might be in agony on the old pillow but it's familiar agony. So when you boot that sucker to the curb don't throw it out right away. As if I'd ever actually throw away a pillow when I could just hoard it forever.

Start each night on your new pillow. If you wake up in pain, switch back to the old one. Each night you should be able to stay on the new pillow longer and longer until your neck is finally happy. If the new pillow is consistently an issue after a week or more it may be too tall/low for you, unfortunately.

If I’m sleeping well do I really need to replace it (beds/pillows)?

Are you really sleeping well? Replacing beds or pillows is inherently stressful and a lot of peoples happy place is their bed. It’s hard to give up aspects of that cozy zone. If you’re really truly sleeping well no one is gonna make you change.

But generally if you find yourself asking this question you may be trying to convince yourself that things are good enough and ignoring that they could be much better.

Get a sleep tracker if some kind. Let it run for a week or two to see how much you’re tossing and waking up. If it’s a lot and your bed/pillow are old, it’s a good bed they’ve served their time.

If you ever wake up to readjust pillows (or at any point you’re using more than one pillow or mattress) then yes. You need a new one.

Good sleep is the result of the least disruptions. Anything you need to adjust in the middle of the night deserves a hard look and a boot to the curb.

Why shouldn’t I have my mattress flat on the floor?

Mold. Mold mold mold. Remember when I talked about how human bodies are humid? We put out a ridiculous amount of moisture as we sleep from exhalations to sweat. That builds up in the sponge under you and then your body heat maintains the ideal temperature to grow all sorts of nastiness.

You would not believe the amount of molded out beds I’ve seen. Even in the most arid areas, mold. It’s not worth it. Do not leave your bed on the floor. There’s like 2” frames if you like a low bed. If you must have your bed on the floor tip it up against a wall to ventilate every day. Mold will not wait for an invitation.

Japanese futons get brought up a lot here and first off- they get moved every night and washed regularly. Then left to ventilate. They understand that if they left it there it would mold.

Why do I sleep in X position?

Generally your body really wants your spine to curve in the right ways. Sleeping on your back would be ideal if the bed gave you everything you needed but most beds struggle to fill the lumbar. So when your muscles can’t hold your lumbar curve and want a break you roll onto your side.

Stomach sleepers are a case of back muscles fully declaring that nothing can support them and opting to invert rather than deal with poor support. It’s fully the worst sleeping position.

Before I sold beds I was almost 100% stomach sleeper due to scoliosis and back pain. Sometimes side. When I got my new bed I switched to only side and occasionally even back, which astonished me. As my bed has become less what I need I’ve reverted to occasional stomach bouts and less back sleeping.

Why don’t you like bed in a box?

Let me count the ways.

Box beds are the fast fashion of the bed world. They essentially corrupt the support part of the bed equation in order to get a product that can feasibly roll up and be compressed down. The foams are all lower density than they should be and give out quicker. The coils are significantly less steel.

The world cried out for an inexpensive bed and companies responded by giving you significantly less bed per dollar. They often use fiberglass as their flame retardant a requirement for all beds and there’s many testimonials about how poorly that’s gone for people.

But now the greatest sin of boxed beds is that they have the audacity to be marketed at the same price points of traditional beds that don’t roll up.

This robs the consumer of longevity. They’re a rip off. I sell them now at my store and I will do everything in my power to turn folks away onto beds that will actually do their damn job rather than bed mimics.

If you have a bed in a box, please understand that you’ll still get up to five years out of it, and you’re not foolish for buying one. They’ll still always be better than an old broken bed, just look to replace it sooner.

What is a good price point for a new bed?

This is really subjective, but you can get a queen size bed with independent coils for around $600. That’s the lowest good back support I’ve seen. You’ll get ten years out of it and it’ll be a bed.

Stepping into the $1000 mark gives better back support and pressure relief. Up from that they’re going to get more conforming.

Beyond $2000+ you’re generally paying for cooling. It’s the number one thing people want in a new bed but it costs more to give.

Rank Costco, IKEA, or bed in a boxes?

Bed in a box are my lowest tier, for reasons I’ve spoken of at length.

IKEA is next. They’re generally not boxed as of the last time I investigated ikea beds but they’re also just bare bones. Not a lot of either support or comfort, they tend to be around dorm quality.

Costco is a bit of a cheat here. See, they’re a wholesaler but mattresses aren’t something that overstocks- they’re made to order. Costco still wanted to offer a cheap option. So Costco gets beds made to order for really cheap. Now how can Costco offer it so much cheaper? By putting roughly 1/3 less stuff in it by category.

I had a spreadsheet laid out at one point to compare a sealy I carried against what looked like a comparable Costco bed. Every single component was shaved down. Each layer of foam, each coil, they all were about 1/3 less material than our better bed.

Now of course Costco sells boxed bed. So a non-boxed Costco bed is still better than an old broken bed and Costco will basically always take it back which is why they score higher than others but you’re still only going to get about three to five years out of it.

Do I really need a new boxspring? My old one is fine!

Is it really actually 100% fine? Is it just as old as the mattress? Are you willing to gamble the price of the new bed on the existing structural integrity? It’s been load bearing for the lifespan of a bed and the amount of boxes that are actually good to continue service are few and far between.

A few reasons to get new boxes: new beds are made much more floppy than old style to accommodate adjusting on adjustable bases. Old boxes may not offer adequate support for a new bed. Ideally what’s going under a new mattress is solid. No gaps. If you have slats it’s still ultimately better to put a bunkie board under the mattress rather than sitting it right on the slats. Also mattress manufacturers won’t warranty a bed that is on old boxes or improper support.

Adjustable bases are a wonderful replacement for box springs, bunkie boards should go over slats greater that 2” apart, and try to avoid frames that leave big open spaces under the bed.

If this guide was helpful you can consider popping a tip over on my Ko-fi to say thanks!

[miyukisu]

NSFW Alphabet | Sae Itoshi .ᐟ

❤︎ | Get to know Sae Itoshi from A to Z~ ╰ feat. sae itoshi x afab! reader

minors do not interact

[A] Aftercare Decent. Bare minimum. Not over the top. At the very least he would wipe you down and clean you up without expecting you to move an inch. He'll even guide you to the bathroom if you plan to shower together (there are times when he carries you, but that's reserved for days when he REALLY goes all out on you). You have to specifically request for things if you want him to do it. Otherwise, that's all you're getting.

[B] Body Part Sae's canonically into ass. But it's important to note that he cares more about shape rather than size. He'll subtly ogle at your ass even in broad daylight, especially if you're wearing tight clothes that showcase it. On himself, however, he's aware of how nice his thighs look. Sometimes he'll pass by a full-length body mirror in just his boxers and he'll stand there for a minute to admire his legs. Partially, this is why he enjoys working out his legs.

[C] Cum Cums a lot, but not thick. It's more on the translucent side. He maintains a healthy diet so you can expect the taste to be bearable. Of course, he likes to release on your ass, but sometimes it gets on to your back as well. It's a sight he never gets tired of.

[D] Dirty Secret Even with his partner, he would hate to admit that he likes taking nude pictures of himself. It's not like he's going to send them out or that he gets off to it; he's no narcissist. But there's just something inexplicable about doing it. He'll snap a few, look at them, then delete them. He isn't sure why. But if you're into receiving nudes, he'll gladly comply (that is, if you've been together long enough).

[E] Experience Despite his good looks, it's surprising to know that he hasn't done it with a lot of people. He only does it with someone he's in a relationship with and even that rarely happens. He's a busy person and it takes longer for him to develop trust for anyone compared to the normal person. But you could say that he's a natural. He can make you cum at least a couple of times through instinct alone.

[F] Favorite Position He has a hard time picking between plain ol' doggy and reverse cowgirl. See any similarities? Yeah, both positions just give him a nice view of your behind. It allows him to grope, squeeze, and slap it any time he wants. He particularly likes watching it jiggle at every hard thrust that he does. Although, he might prefer doggy a little more as he can have most of the control in that position. But it's trivial to pick. He'll just have you in both positions each time you decide to do it anyway.

[G] Goofy The man doesn't smile, let alone laugh, during sex. It's not that he's not enjoying it, but he doesn't find the act to be humorous at all. He finds it weird to call it "fun". He'd rather describe it as passionate and intense which is why he's serious. However, there are VERY rare moments when he cracks a small smile, but it only happens in highly emotional moments (like your first time having sex as a married couple, for example).

[H] Hair He trims it, but not for sexual purposes. He's an extremely hygienic man, so he does it out of self-care. In reality, he doesn't care too much about what their partner thinks of his hair. If they like it; then great. If they don't; they can deal with it. Besides, he doesn't care about his partner's hair. He'll take whatever's waiting for him down there. He'll never go fully bald because he finds it odd. He'll trim it a bit regularly and that's about it.

[I] Intimacy A very passionate lover; that's for sure. As I've mentioned, he finds the act to be something serious. He'll only do it with you out of love and care. So even if he doesn't outwardly seem like a romantic person in bed, he definitely is. He likes to keep it fair in the bedroom. So if he's enjoying, you should be enjoying it just as much as he is. Although, he doesn't speak much, but he'll call you "Amor" sometimes. Sae will whisper that name in your ear gently.

[J] Jack Off As you might expect, he doesn't do it a lot. For one, he's too busy doing or thinking about something else. It's something that he can only think about doing when he's lying in bed at night with a blank mind. Sae mostly does it out of frustration—if he wants to release pent up emotions without lashing out on someone else. He's quick and likes to get the job done as fast as he can. Can you blame him? It relaxes him after all. Though, he isn't immune to temptation either. If you send him jack off material, he'll gladly use it.

[K] Kink Sae discovered it a bit late, but he likes brat taming. He doesn't even know that it's a thing. He just knows that he likes putting disobedient girls in their places. He'll act annoyed or pissed off at your insolence, but deep down, he's craving that you do it more. Something about feeling that his authority is being challenged, excites him. Of course, it adds some spice to your bedroom activities. But maybe it has to do with him proving to you over and over again that he's the one in control—he's the one holding the reigns. He especially loves it when you eventually become obedient in the end. But keep being a tease; he eats it up.

[L] Location Anywhere as long as it's inside the house/apartment/hotel. He likes the privacy and comfort that those places offer. He can't be bothered to think about the possibility of getting caught. As thrilling as it might be, he has a reputation to uphold. The impending PR work is not worth the orgasm, at least for him. He also would hate to do it in a place that would force you into a weird position. At least at home there's a bed, a couch, a chair, or a counter for you to use. Again, he's a hygienic guy, so the dirty outdoors is a huge no for him.

[M] Motivation First of all, he has to be either extremely relaxed or incredibly frustrated—there is no in between. But once either condition is met, it's not that hard to get him in the mood. In fact, he likes to hear how eager you are. Simply asking him if he wants to do it would be more than enough. Even better if you express how much you've been needing him throughout the day or week. There are times when he initiates things, but that usually happens when you're already touching each other (like while cuddling). You'll know because he'll grind his hard on against you or deliberately take your hand and place it there.

[N] No Anything extreme is off the table for him. In many ways, he's quite vanilla. The farthest he'll go would be a little bit of bondage and usage of toys. But if there's extreme pain, blood, piss, and things beyond that involved—consider him out.

[O] Oral Again, he likes to keep things pretty equal, so likes both giving and receiving. Although, you might notice that he'll go at your pussy first before letting you suck him off. It gets him into the momentum apparently. Plus, most of the time, he already gets you to cum from his tongue alone. You swear that he gets better each time he does it. You can never last long since he likes to suck on the clit, oop. When you suck him off, he'll tangle his fingers in your hair and guide you lightly. He lets you do your thing, pretty much. The only exception is when he's really stressed out—expect him to tug at your hair a little harder then.

[P] Pace He usually likes it slow and sensual. Sex is the only time he feels relaxed and in control of his time. Why would he want to rush it? The atmosphere also feels different for him when he goes slow. Furthermore, Sae uses this as a way to observe you properly—which spots to hit, which points to stimulate at the same time, and so on. It gets him off knowing that he can get better and better at providing pleasure. Consider it as part of his ego as well. He might take it slow, but there are definitely moments when he pounds you hard and steady. The type of pounding that needs you to hold on for dear life or else you'll fall.

[Q] Quickie Not really a fan of it. But it's not like he would never do it. Sae will only resort to quickies when absolutely necessary. Those kinds of situations are mostly when both of your schedules are packed and there is literally not enough time to have proper sex. That or when both of you feel incredibly frustrated and nothing else will satiate you but each other. Another reason why he doesn't do this as much is that it leaves him wanting more. He hates feeling like a needy idiot, so he avoids quickies as much as he can.

[R] Risk He'll try anything not-so-extreme at least once, especially if you ask him nicely. Though he has shown interest in experimenting in bondage a bit, more specifically, in shibari. It's a bit intricate and it might hurt you a bit if not done right, but if you're willing to share that risk with him—he's game. From the Sae perspective, I'd say a risky thing that he does is whispering things in your ear he wouldn't normally say. He just likes to keep you on your toes and the way you clench down on him is just way too good. Besides, you'll most likely forget he said it anyway because he fucks you dumb most of the time.

[S] Stamina His endurance and stamina in general are certainly well-trained, but he is just a man. His dick needs to recuperate at its own pace. Maybe he can last two rounds for the most part, but there are days when he can only last for one. But it's not much of an issue. In that one round, he can last for so long. He can take advantage of that time and make you cum over and over again. Besides, even if you've milked him for the time being, he can still go at it with his mouth and fingers. You'll never catch him breathless after a few measly minutes.

[T] Toys He doesn't own any. He feels silly spending money on such things and using it on himself. But if it's for you; he'll gladly spend as much as he needs. He just doesn't see the appeal of using it on himself. Pocket pussies? Cock rings? Seems a bit ridiculous to him. But if you happen to own a vibe or two, he'll definitely use it. There's no harm in heightening your pleasure anyway. He's also chill with a bit of bondage rope and handcuffs. He's a bit iffy about using dildos though. Maybe it's because of his pride, but what's the use of it when you can have his dick instead?

[U] Unfair He's a tease without even trying. The snarky remarks that he makes comes out of his mouth naturally. "Oh, you're cumming again? You're too easy," and he'll say it with a straight face. Sometimes when you do ask him to fuck you faster, he'll ignore you on purpose. The man wants to hear you beg so nicely for him after being such a brat earlier. Although, he's surprisingly less of a tease as you'd expect.

[V] Volume Mostly grunts and groans. He claims that you will never hear him whimper, so of course, you make it your life's purpose to get him to whimper. It has yet to happen. And he does find it amusing that you think that you can make THE Sae Itoshi whimper like a bitch. Aside from that, the sounds he makes aren't so loud. He makes sure the grunts near your ear, containing it there. BUT, a little quirk of his is that he lets out a long sigh once he cums. It just feels so relieving that he can't help it anymore.

[W] Wild Card He thinks he'd bust right away sometimes whenever you stare up at him while you suck him off. Seeing you servicing him so eagerly while on your knees does things to his brain. It makes his ego swell like insane. "You're such a good girl, amor. You love me alot, don't you?" He'll wipe away the tears that threaten to fall because your jaw's so stretched out. Sae knows you're struggling a bit, but hang on for now and he'll reward you plenty afterwards.

[X] X-ray Not that girthy, but loooooong. He has quite a pretty dick, especially since he keeps it neat down there as well. It doesn't curve that much, but it is quite veiny. You can see the veins because of his pale complexion. There's one particularly thick vein that feels the best when rubbing against your walls. He's also cut, so you know that he has a light pink tip. Definitely a shower.

[Y] Yearning He's definitely more inclined to have sex than jacking off. That's because he'll actually make time for it. Sae will find ways to clear up his schedule or at least have more time with you—to have sex and to do things other than sex, of course. It's an odd, but helpful, trait of his that he can easily match the libido of his partner. Unless if his partner has an insanely high libido, then you'd probably have to find even ground. But again, it's not hard to get him into the mood. So if you initiate or ask him, more often than not—he'll get down and dirty with you in a heartbeat.

[Z] Zzz He doesn't fall asleep right away because, A) he needs to clean up and take care of you, and B) he just isn't tired enough. Don't get him wrong—good pussy pushes him to the edge, but being well-trained just helps him to not pass out immediately after busting. However, he will fall asleep right away once you're all cleaned up and the bed (which presumably got drenched) is all tidied up. Once you're sleeping soundly in his arms, he'll let himself be consumed by slumber as well.

❤︎ Overall: Sae's quite a good lover in that he puts effort and meaning into sex and that he's constantly improving. He genuinely cares about making it an activity both of you enjoy. 10/10 experience.

©kzyluvr do not repost/reupload/translate any of my works on other platforms

╰ author's note Actually a bit terrified that I might have butchered Sae Itoshi in this one

[docdudo]

Hybrid 141 As Parents - Foster Human Child!Reader (Part 6)

It was getting colder, the days shorter, the nights longer... which meant, you were now stuck with John and Simon buying clothes.

You all ate relatively quickly before that, considering you barely munched in a small burger and fries before giving all the rest to Simon, and soon enough, you were all in a children's clothing store.

You insisted that you didn't really need many clothes, maybe just a jacket, since you didn't have one, and going out without a jacket in this temperature is pratically a death sentence for a human.

So, at first, you did agree to buying clothes, they did seem worried too, so you figured, why not?

But at this point, as you watched them get way more than you first imagined, you were starting to panick a bit.

"I-I really don't need that many, r-really...!"

"There's no way we are letting you out when it's getting close to snowing without proper winter clothing." John huffs slightly, his voice sounding rough this way. "I know how delicate humans are to the weather, you need gloves, thick socks, beanies, warm jackets, pantyhoses..." He lists casually, not even looking your direction as he goes through the toddler's section of the clothing store.

You could only feel yourself being gently bounced on Simon's arms as he tries to reason with you.

"We do have a few clothes from our kids' younger years. But it's not that many, and we don't have socks, or gloves, or beanies, this small anymore."

You frown a bit in nervousness, not sure about all this, but there's little you could do against the stubborness of a dragon.

"Okay, this should be enough." John smiles, taking the bag of clothing to the cash register.

You sigh a little, tiredly leaning against Simon. You got used to him carrying you around, considering he has been doing this for a few hours without tiring at all.

And you also got used to the stares people threw your way... and the coos and aww's too....

But at this point, you were tired. So freaking tired. You weren't one to usually go out, like, ever. So, here you were, drooping slightly against Simon, your breathing getting slower.

"I know, I know, we're going back after this." Simon murmured close to your ear, adjusting your position on his arms so you could lean more against his chest and shoulder, a heavy, giant hand rubbing against your small back.

"Mhm... why... why didn't... the others come too...?" You mumble softly, not managing to contain yout curiosity any longer as you watched John pay for the clothes a few feet away.

"Johnny and Kyle are making last minute adjustments to the house." Simon answers simply, even tho you clearly had a confused expression on your face now.

"Adjustments....?"

"Just some simple stuff. Do you remember how you had to use a car seat to get here due to your height? We got the car seat before, but we still had to do some repairs around the house to be a better fit to your size."

"T-That's... Ah... o-okay..." You nod quietly, not knowing what to say to that.

Tho, you were pretty curious to know what kind of adjustments they did around the house.

"Ready to go?" John asks as he comes back close to you.

"Yeah. The kid's tired." Simon nods easily, already starting to make his way back to the parking lot, John right behind him.

"Of course they are. Let's hurry home then."

After waking up, strapped to the car seat as you felt the car come to a stop, John gently unbuckled you and set your feet on the ground, pushing you softly so you could go into the direction of the entrance, where both Johnny and Kyle were already waiting for you.

"Wee lass, come 'ere!!" Johnny smiles excitedly, only to scoop you up from the ground as soon as you got close enough.

It seems he couldn't hold his instincts in any longer. But... that's okay, considering you were in Simon's arms just some time ago.

Johnny immediatly started to nuzzle into you, taking you inside the house as his tail wagged behind him easily.

"Do ya wanna play with me, pup?" He asks, soft, but excited at the same time.

"They're tired, Johnny." Simon says as goes inside, giving a kiss to Kyle as they pass by eachother, John coming right behind with the things they bought. "Put them to nap a lil'."

Johnny pouts a little, ears pressing down and tail stopping.

"I really wanted to play with the pup..." He almost whines, holding you closer to him.

He felt so damn warm...

"Tav, remember when we had the babies for the first time?" Kyle comments, a soft smile on his face. "Imagine it's like that once again. No playing yet."

"Aye, aye." He sighs, and you try to contain a blush at how they talked about you like you weren't even there. "Time to sleep, yeah, pup? Maybe a bit of cuddles?" The hand that wasn't holding you against him goes to your wrist as he gently pushed his hand under your sweater sleeve, frowning a bit as he felt that you were indeed a bit cold. "Yeah, cuddles, pup. Warm yah right up, yeah?"

He was murmuring softly like he was deep in his instincts, that damn babyish talk coming out once again as the werewolf walked easily all the way back to your room and went inside, closing the door behind him, not bothering to turn on the lights.

"Need warm clothes now, saw that John got you some, very good..." He mumbled like he wasn't even talking to you, affected by his protective instincts. "Gloves, and a wool beanie, wee pup... all bundled up, and warm... let's get warm, yeah? Let's lay down, here..."

And he took you straight to the middle of the room, where the nest carved into the ground was. He didn't even hesitate as he simply threw himself onto the soft blankets and pillows, laying against them confortably and immedaitly putting you against his warm side, tucked between his chest and arm, pulling a blanket to tuck you in gently.

You could barely process what was happening, but you let him, actually feeling... confortable. It was warm, he was warm, and the weird nest thing was definetly soft. And you were tired... so tired, you spend a long time out of the house...

It wasn't a surprise that you fell asleep quickly against him, swearing that you could hear some kind of weird noise and fell some kind of weird vibration by your side. Do werewolves purr?

Well, you could always search later. Right now, you were busy napping against the big and warm werewolf, who thrilled and cooed happily at you.

Part 5 / Part 7

[dedalvs]

My brother and I absolutely cackled after that Aemond and Aegon Valyrian exchange!

I wanted to ask (and I'm terrible at conlangs, so forgive me) what grammar/syntax Aegon is stumbling over here and how to properly say what he intended to? Any why is he making thise mistakes (simply lacking the vocabulary, or rules of the language he hasn’t grasped)?

Let's take a look at it. This is what he said:

Nyke koston... Bēvilus... Sētegon bīlīvāzmi?

The subtitles say this:

"I can... Have to... Make a war?"

Prior to this Aemond is, essentially, showing off. He knows that Aegon has simply not put any time into studying Valyrian (or studying anything). At this stage, Valyrian is no longer spoken by the family on a day-to-day basis—especially as Alicent probably never learned it at all (or if she did, only in a few scattered lessons here and there; not to actually use). In order for either of the boys to gain any kind of fluency in the language, they have to study constantly and find ways to use it. There's simply no daily need for the language—and plenty of reasons not to use it, as very, very few people they'll encounter on a daily basis speak the language.

Now, if we were talking about two random people in Westeros, this wouldn't mean anything. But these are the children of Viserys Targaryen, himself a descendant of Aegon the Conqueror. They brought their family line and their culture with them to Westeros—and, of course, their language. If someone like Alicent Hightower doesn't speak High Valyrian it means nothing. If a Targaryen doesn't speak High Valyrian, though… See, they're supposed to be able to speak Valyrian. Failing to do so carries with it a sense of shame that isn't present for a random person who doesn't speak Valyrian. Aemond knows this. Aegon is annoying him, so he goes poking at that wound.

Aemond could have fed him a short line with an obvious answer to help Aegon out, but instead he threw a whole mess of Valyrian at him. The longer it goes on, the more lost Aegon gets, desperately trying to catch up and figure out what was just said and thereby missing what is being said at that instant. From the whole speech, Aegon probably only figured out that he was being asked a question, and it was something having to do with planning.

So, back to what he says. The beginning student of a language is quite adept at doing a single verb in a present tense sentence. In a discussion like this, though, you're typically saying things like "I think that" or "We should" or "I suggest" or "Perhaps we might", etc. All that stuff that we need to offer opinions, make suggestions, hedge, etc. Much more than simple narration.

Aegon is attempting to do this without a sufficient command of the language. He knows some vocabulary, he knows some grammar, but he simply did not put in the work to actually speak this language. Thus, he has to overcome a lot of Common Tongue (i.e. English) interference.

There are many differences between Valyrian and English, but the biggest one by far is the major word order. In English, the verbs come before the rest of the junk; in Valyrian, they come at the end. And this is how things get all messed up.

In English, you start the sentence saying things like "I think" or "We should" or "It seems". In Valyrian, those things come at the end. If you start with the Valyrian equivalent of "I think", you will quickly realize (presuming you know enough of the grammar) that you're sunk, because once you've said it, the sentence should be done. Thus you get Aegon's false starts.

Starting at the beginning, Aegon says Nyke koston, which is kind of like saying, "I could". But there's nowhere to go. This is how a sentence ends. For example, if he wanted to say, "I could fly to Harrenhal", he would say Harenhalot sōvegon koston—literally "To Harrenhal fly I could". If you're thinking English-ly, you're essentially thinking backwards, and if you simply translate what you're thinking, you'll immediately have nowhere to go. You'll have to take a pause and think about how to get started again. And that's exactly what happens here.

Now, leaving aside that Valyrian is a pro-drop language and starting it off with nyke "I" is unnecessary and makes you look like a beginner, koston isn't bad (I mean, if used sentence-finally). Once he realizes he can't start there, though, he loses confidence. It's those old High Valyrian lessons all over again, and some maester suggesting he hasn't studied. That self-doubt makes his facility with Valyrian worse. This means his chances of recovery are severely hampered.

But onward he presses, and he decides to say "We have to" or "I have to". Now, the problem here is in Valyrian that requires the verb bēvilagon. This verb isn't used in the usual way. Literally it means "to lie on". If you wanted to say "We must mobilize our dragons", you'd say Īlvī zaldrīzī mazannagon īlo bēvilza. That's literally "Our dragons to mobilize us it lies upon". The one who must do something is placed in the genitive and put directly before the verb. If you start with the verb, well, you missed your chance to say who it is that must be doing something—let alone what they must do. Another false start.

It's also worth noting that he says bēvilus as opposed to bēvilza. Let's ignore that it's the aorist and focus on the fact that it's the subjunctive (just like koston). You use the subjunctive with your main verb when you're hedging—when you're suggesting. Not when you're commanding. Kind of an odd thing to say "We must do this" with the subjunctive. Kind of like saying "Maybe we might considering having to do this".

At this point, his confidence has completely evaporated. Everybody's staring at him like he has no idea what he's talking about; Aemond's eating it up. He knows he's cooked. He's got to say something, though, so he says sētegon which isn't even conjugated. It means "to make" or "to create", which might make sense in English (e.g. "to make war"), but doesn't make sense in Valyrian (a bit like saying "to construct a war" or even "to bake a war") and then tries to pronounce vīlībāzmi "war" (wrong case/number, wrong order) and fails, saying bīlīvāzmi, which means nothing (also he wanted vīlībāzme. Vīlībāzmi is "wars").

Long story short, he doesn't present himself very well—and we didn't even talk about his general pronunciation or intonation. It's kind of a great big mess in only five words. A true disaster.

But if there were no expectation that he should be able to speak Valyrian, none of this would matter! If there were no shame associated with him specifically not being able to speak Valyrian no one would expect it of him, and this challenge would mean as little as someone challenging him to speak the Old Tongue or Asshai'i. It'd be meaningless.

In short, this small portion of this scene is about being a heritage speaker of a language. It's the exact nightmare scenario all heritage speakers fear: To be put on stage and made to perform despite being unequal to the task while simultaneously feeling that they should be equal to it.

It'd be so cool if it was okay to be kind of good with a language—if that level of mastery was acceptable. In the real world, anyway.

[sexlapis]

[◉°] … toji & y/n being a couple for 10 minutes straight pt.3

ㅤㅤㅤㅤㅤㅤㅤ｡˚ 𓂋 ❄﹒✦﹒✿ ˚

꩜ actor!toji x actress!reader

⤷ synopsis : just toji & reader being idiots in luv…

꩜ content : crazy fans, very mild physical violence (toji pushing ppl lol), toji being a little ooc again. this is really not as wack as the warnings are making it sound.

- a/n : loads of people seem to be enjoying this & i enjoy making them, so here you go! :D

. . . part 1, part 2, part 4

masterlists

౨ৎ first clip

(recorded by your fansite) - you & toji are at the airport and it is packed. there are fans swarming you, practically suffocating you & toji, along with paparazzi taking pictures of you, flashing lights in your face. your bodyguards are literally at war trying to guard you and you have to cling onto toji’s arm to even get past the sea of people.

all of a sudden one fan somehow gets way too close, and grabs a hold of your shirt, trying to drag you towards him. you jerk forward and without even hesitating, toji just grabs the face of the crazy fan and pushes him away like it’s nothing, causing a domino effect having other fans falling over as well.

toji puts an arm around you and guides you to check your tickets, ignoring all the chaos he caused behind him.

(this got a lot of mixed reactions, some people siding with toji saying he was just protecting you & others criticising him for his rash actions that could’ve caused people to get injured 💀)

౨ৎ second clip

you & toji were doing a video for WIRED, taking part in their popular series, “Web’s Most Searched Questions” about yourselves.

“okay third question..” you say, and peel off the paper. “are _____ and toji..dating?”

you & toji look at the camera and then at each other, faces hot and you’re both awkwardly smiling before looking at the camera again. you & toji speak. “yeah, i dunno.” “nooo idea.” “literally no clue whatsoever.” “why even ask that like-like we’d know the answer?”

you peel the next question and it’s even worse. “are _____ and toji having- A BABY?!” you shout and cover your face laughing, both in shock and amusement. “what?!”

toji just facepalms, hiding his pink cheeks and sighs tiredly. “christ…”

౨ৎ third clip

you’re at a press conference for the series you and toji are in, all the cast members are gathered on a long table with microphones but it’s a pretty informal gathering and the fans are being very interactive with the cast!

a crew members hands the microphone to a fan who has a question. “hi! hi, i’m sarah and uhm..i have a question for toji. and _____ too! do you think that your characters have a chance of..like..getting together? like romantically-?”

“yeah we’re getting together,” toji responds bluntly, reeling in the loud cheers from the crowd & he decides to add fuel to the fire. “and we’re gonna have a make-out scene too.”

the audiences goes crazy with applause and whistles, while you pinch the bridge of your nose, shaking your head in embarrassment as the cast look to see your reaction.

then the director of the show pitches in, holding her finger up. “just to clarify, we did not discuss this..”

there’s a chorus of laughs and sad ‘awws’ among the pool of fans which only makes you giggle. you didn’t even know what to say to toji’s brashness.

gojo chimes in with his loud mouth while everyone is still buzzing from toji’s unexpected words. “talking about kisses and stuff like. this guy’s just saying what he wants to hear!”

everyone starts creasing up again and you & toji lean your heads to look at each other on opposing ends of the table, and he just smirks at you while you just shake your head and try not to look so obvious..

౨ৎ fourth clip

vogue did a video with you getting ready for a fashion show you were invited to, by the designer herself.

the makeup artists had just finished your shimmery, fairy-like makeup and now the stylists were accessorising you with jewellery and fixing your hair.

“yeah i really like how the hair is done,” you say, referring to the baby pink ribbon tied cutely around your bun. “it’s really cute! and the dress is just so-”

the door to the dressing room opens and toji pokes his head in, the camera zooming in on him. “‘ya done yet?”

“toji?” you ask, exasperated. “toji get out! we’re not finished yet..”

toji looks you up and down in confusion. “ya look done to me. we gotta leave in like-”

“toji i am clearly not finished. we have to go through which jewellery looks the best with the neckline of the dress and..my whole look altogether so it doesn’t drown me out! and then we have to pick the correct shoes and make sure i’m comfortable with them and that they look pretty but also don’t take attention away from the dress. and then for the perfume-”

“yeah, yeah, alright, i get it.” toji totes. “but we have to be there in 30 minutes so-”

“oh toji’.” you sigh, looking in the mirror while the stylist fuss around you. “it’s okay if we’re late. i’m the main event. the designer invented me personally. they won’t even start the show if i’m not there. it’ll be fine, trust me.”

toji looks at you for a moment and then simply shrugs, nodding and accepting your words.

౨ৎ fifth clip

“so yeah, this is the book i’m reading.” you hold up ‘pride & prejudice’ to the camera for your fans to see. you were on a livestream, which you don’t usually do, and many fans were watching. “i just love this book. the characters are-”

loud, thudding footsteps can be heard in the background and you pause. a deep, clearly a man’s voice can be heard and then a shirtless toji walks into frame (as identified by his tattoos bc his face is not on camera). he reaches out of frame.

“sorry, jus’ forgot my shirt.”

he puts his shirt on, not even realising what he just did in front of 50,000 people and walks out of the room

it all happened so fast, you sit with your jaw open like a fish, holding your now forgotten book in your hand while the chat goes wild, spamming questions of “who is that?” “is that toji?” “you and toji are together?” in a frantic, chaotic fashion.

you just look at the camera and reach forward, abruptly ending the live. fans did not stop talking about this moment for months and they most certainly did not believe you when you said toji was just at your house for a little ‘visit’.

౨ৎ

tag list: @tiredslepz | @hayatslife | @shxyxyxxxx | @snowprincesa1 | @laylasbunbunny | @mimiemie

a/n: yk how hard it is to think of ideas for this omg 😭💔

[notebooks-and-laptops]

The thing about Solas in DAtV is that because they were fundamentally unwilling to engage with the question of whether or not the Veil should actually come down (which is a symptom of them refusing to engage with anything remotely 'problematic' in the franchise to date: slavery, elven oppression, treatment of both city elves and Dalish etc.) he goes from a character who is supposed to be the embodiment of wisdom to a character who is kinda stupid. And further, it affects our questions surrounding his motives and relationships, his actions in inquisition and how compelling he is.

Like, there's a lot of people arguing ATM about whether or not a romanced Lavellans relationship with Solas was meaningful/if she knew him compared to how Rook knows him/if he loved her more than Mythal. And I think the answer is very tied up in this particular issue with the writing.

Because if Solas is a revolutionary who believes that the veil must come down, not just to fix a perceived wrong he did, but for the good of elvenkind...if we take a Solas who says 'people are always dying, it's what they do' and realise that he's saying that because PEOPLE DIDNT USED TO DIE and the way their lives are now so short is terrifying to him, if we take a Solas who says that the world today is full of those who seem tranquil to him and take that SERIOUSLY, if we get a Solas who is sickened by the way spirits are yearning for the world the way it was but are stuck in the fade without any contact and that's twisting them into demons and those willing to possess others to taste a glimpse of what was denied to them by HIS actions...

Then we get a Solas whose actions don't just make sense but we can see WHY they make sense. We get a Solas who is, yes, committing an act of horrendous violence by tearing down the veil but is doing so to literally save the world rather than just fix a regret or because he's bound up in Mythal somehow and what she would have wanted for the world.

THAT Solas who leaves Lavellan because of his revolution he must lead, who leaves Lavellan after seeing what this world does to those who are left of the people, that Solas...I think that we could then argue more than the relationships he formed in inquisition were real and he was tragically forced away from them by his own goals. That in some way he is doing this FOR Lavellan.

There should be a sort of semi-horror tint to this world for us through Solas's eyes because we can see a world of tranquil walking around like he does, a world where life is too short, a world of injustice and pain and reasons to go ahead with his plan

But Solas....kinda lacks agency in DAtV. I don't hate the Solas Mythal plot stuff I think it's quite interesting, but mix it with us never considering the merits of what Solas wants to do, of EVERYONE unilaterally deciding it's evil with no real debate or queries, with ZERO elves in the narrative siding with Solas or taking what he has to say seriously...THATS where adding the Solas and Mythal plot rubs me the wrong way. I don't want Solas to need to be released by Mythal before he can let go of his evil plan...I want a Solas who doesn't have an evil plan but instead a complex one. I want the conviction of Anders in Solas; that what he's doing is RIGHT and the ONLY WAY to fix a great injustice. I don't want to redeem Solas or even understand him I want him to CONVINCE me and me BELIEVE him. Otherwise the Solas we see in inquisition is more shallow and the Solas we see in Veilguard through Rook...maybe Rook does know him better than the inquisition did.

[pathologicalreid]

an ode to a conversation stuck in your throat | s.r.

in which Spencer tries to talk you out of taking a job across the country

margotober masterlist

who? spencer reid x fem!reader category: fluff content warnings: miscommunication (sigh), very cheesy, brief mention of wine, defining the relationship, insecure spencer, easily confused reader, chemist!reader word count: 1.04k a/n: if i could go a week without writing a dwg song fic that would be crazy. also surprise it's chemist!reader again.

"Thanks for stopping so I could change,” you say to Spencer, leading the way into your apartment and locking the door behind you. “I’m sure lab dress code and David Rossi dress code are miles apart,” you continue, hanging your backpack on the wall.

Spencer hums in response, “You’d look great in anything you wear.”

Your face warms at the compliment, “You’re sweet. You can just wait out here, I shouldn’t be more than a couple of minutes,” you gesture to the living room, smiling at him before heading off to your room.

Nervously, you pull off your lab-safe attire and discard all of it into the laundry hamper before putting on the dress you’d chosen for dinner tonight. It’s not overly fancy, but you hope his team will like it. You hope his team will like you.

Looking at yourself in your dresser mirror, you reconsider your choice of shoes, switching from a pair of kitten heels to flats before walking out the door, “Hey, Spence, is Rossi’s patio heated, or should I bring a sweater for when the sun goes down?” You stop in your tracks when you find Spencer, still in the entryway, looking at the color-coded whiteboard calendar you keep by your front door, “What’s up?”

His hands are stuffed in the pockets of his slacks, and he looks upset. What’s worse is you think he might be upset with you. “What’s this dinner you have planned next Friday?”

You feel like a child who’s been caught doing something they shouldn’t be, draping the proposed sweater over the back of a kitchen stool and crossing your arms in front of your stomach. “It’s a work dinner,” you answer nervously.

“With?” Spencer asks, but he’s not pushy about it, there’s something desperate in his tone.

Pursing your lips, you look at the purple writing on the calendar, “The chair of Biochemistry and Molecular Genetics at Northwestern, and a representative from the college's dean. They’re offering me a job with a private lab and my own team of researchers… so they’re taking me out to dinner.”

Spencer’s face fell, “They’re offering you a job in Chicago?”

“Well, that’s where Northwestern is. Evanston, if you want to get technical about it,” you respond, chewing on the inside of your cheek.

He looks at you dumbfoundedly, “I don’t want to get technical about it. When were you going to tell me that you’re taking a job in Chicago?” It almost seems like he’s afraid.

You raise your eyebrows in curiosity, you’ve been seeing each other for a month, and you’ve never known Spencer to jump to conclusions. “I’m not,” you tell him, keeping your tone void of any accusation, “They’re just taking me to dinner.”

Spencer sighs, “But they’re offering you a job. In a different state. In a different timezone.”

Admittedly, he was beginning to sound a bit ridiculous to you, “Don’t you field offers from colleges all the time? They want you to teach or tell you to become Spencer Reid, PhD, PhD, PhD, PhD, or whatever?” 

His eyes follow you as you move to sit down at the kitchen counter, “It never gets as far as dinner.”

“I’m not taking the job,” you tell him simply, shrugging your shoulders demurely.

Spencer falters at that, knitting his brows together as he tries to piece together the answers you’re willingly giving him, “If you’re not taking the job then why are you going to dinner with them?”

Hiding a small smile, you give him the truth, “They pick up the tab. I go to a lot of these and I get good food out of the deal. These people love to schmooze but I’ve never been offered anything that I would be inclined to accept.” This specific job seemed perfect on the surface, but they weren’t willing to let you choose what to research. That was non-negotiable for you.

“I could schmooze you,” he insists, “You don’t need other people to schmooze you.”

You giggle at him, waving him over to you so you can look him in the eyes when you tell him, “I go for free food and good wine. No other reason.” Your smile was gentle, but inside your heart was pounding. He was scared I was going to leave, you think to yourself.

He sighs, “Will you… will you tell me in the future when you get these dinner offers?” His voice is tentative, almost as if he’s afraid you’ll think he’s asking too much of you.

Nodding, you reach out and take one of his hands in yours, “I can, but I didn’t think were at the ‘I’m being courted by another workplace, and I wanted to let you know’ stage yet. That’s kind of a girlfriend thing,” you explain.  

Spencer frowns, “Aren’t you?”

Tilting your head to the side, you look at him curiously, “Aren’t I what?”

“My girlfriend,” he clarifies.

Your eyes go wide, “Oh! I didn’t think so, I thought you had to ask yet.” Although you’re far from a relationship expert, you’d had to ask your PhD advisee what to wear before your first date with Spencer.

The panicked look on his face returns, “I’ve been telling people you’re my girlfriend. Should I not have been doing that?”

Shaking your head, you beam up at him, “I don’t mind. I just thought you had to ask about that kind of thing.”

“I don’t know,” he admits, “I’ve never really done this before.”

The two of you sit in an awkward silence for a moment before you decide to speak up again, “So, just so we’re on the same page. I’m not moving to Chicago.”

Spencer frowns again, and you have to hold yourself back from using your thumb to smooth out the crease on his forehead, “Will you?”

Confused, you lean your head back, “Move to Chicago?”

“Be my girlfriend,” he amends quickly.

You nod, “I would love to.”  

“And just so we’re on the same page,” he ducks his head down, so close to a kiss that it makes you feel dizzy, “I like to think I’m the only one who can really court you.”

Laughing, you lean forward and peck his lips, “I would be insulted if you didn’t think that.”

[vaguely-concerned]

the things it adds to both of the characters involved that lucanis used to have a thing for viago could not have been more tailor made to be for me. literally the ideal thing to come out of this game for me personally and specifically and spiritually. I mean I'm teia x viago trash until the day I die and nothing will ever change this (and with the best will in the world and even the power of lucanis' big beautiful soulful eyes, that would never have worked out even if viago DID somehow understand he was being propositioned. which I'm not convinced he did. the mutual 'so. snakes are pretty cool huh. and. knives. also' awkward energy without someone of teia's charisma and people skills involved to mitigate it... it would have been dire), but on so many levels I find it so incredibly charming for what it says about them both that the (one-sided) attraction was there once.

what's more, it means the man about whom this legendary paragraph was written:

Viago was not a typical Antivan. He liked facts—checklists, numbers, precise measurements. Heart palpitations, clammy hands, tight pants—Viago did not like these things. In fact, he would go so far as to say he hated them. Mild curiosity was his favorite mood.

has got some of the hottest coolest deadliest people in thedas down so catastrophically bad it's got them acting unwise. teia had to wait a UST-drenched decade for him to be ready to take his fucking gloves off for her. and she did!! the tetchiest most neurotic least approachable little vetinari knockoff of a man you ever saw has game for days and days and lives rent free in heads for years. in eight little talons viago consistently feels so inadequate up against dante and it's like. man I'm shaking you by the lapels you have what he'll never have. the ability to bewitch body and soul with your terrible personality and long thin legs. do not waste the gift you've been given go get her she's waiting!!!

(lucanis is really good at reading people, so I wonder if maybe he saw through all of that to some of the steadiness and incredible capacity for warmth and tenderness in specific interpersonal relationships you see viago have with teia when he finally opens up enough, and maybe that was part of it. either way it's so perfect that both he and teia have regarded viago with this affectionate intrigued amusement. lucanis still seems pretty fond of him in a 'viago continues to be exactly himself no matter what else happens or goes wrong. comforting universal constant' sort of way, he brings him up quite a lot in party banter.)

you've seen lucanis' game in this day and age, arguably or at least hopefully older and wiser -- can you imagine how catastrophically bad it must have been back when he presumably handed viago, most paranoid man in thedas all years running, a knife like this expressed everything it needed to. people give him so much shit for the cake moment being his big romantic lock-in, but considering where we started that is GROWTH and I for one am so proud of him fhsdkjaf.

also I wonder at what point vis-a-vis that whole Situation teia and viago met for the first time, leading us to ask... just how much was it a matter of lucanis simply being ignored out of a lack of interest on viago's part (tbf, not entirely unlikely). how much was it lucanis truly not managing to make himself understood. (all but certainly. literally how would one understand that. I think it says some sweet things about rook and lucanis' dynamic that they -- somehow -- DO pick up what he's putting down in a similar scenario presumably b/c they know him pretty well by then haha.) how much was it viago interpreting the romantic move as a death threat from one of the most dangerous people alive and freaking out. (1000% and indubitably.) and how much was it andarateia steal-your-girl cantori turning up and thus setting off whatever spectacular, volatile, awesome-in-the-original-sense chemical reaction between the substances of her and viago's souls that goes on to this day and makes everything else kind of a side note at best. a gentle mix of several of these things, perhaps. ...god I love all these characters so much

[kedreeva]

i have an odd animal husbandry question you seem like you might know the answer to, your comment about stan reminded me - ive been thinking about getting into backyard chickens for a couple years and the thing that makes me hesitate most is hard culling. im confident in my ability to put down an animal thats sick, or infirm, or for food, but for like, temperament? or for poor egg layers? just sticks on me for some reason. i think it would feel like telling them theyre not a good enough chicken for me. how to you process this part of animal husbandry?

This will be a little long, so bear with me.

If you want to keep use animals (animals bred for a purpose, to be used for a purpose instead of kept as a companion), you gotta get good with the idea that they are here for you under the agreement that you will only keep them as long as you need to. When you take them on, you are agreeing that you will release them to whatever their next life holds for them as soon as you do not need (or they've completed) their service. Maybe for some people that's just release to the biological cycle of life, for others maybe there's an eternal rest, for others maybe it's reincarnation. For soft culling that's just moving to the next household. Whatever it is, you are allowing them to pass to it in as humane a way as you can, and ultimately it is the single greatest kindness and gratitude you can show to them, to give them proper care while they are here and allow them to end with little to no pain- something animals outside of our care rarely get. You are thanking them for their service, and letting them go. Worth does not even begin to factor into it.

It is not easy to take a life. It is NEVER easy, regardless of reason, regardless of excuse, regardless of anything. It is ALWAYS heavy, and it will always hurt you. And it should. I am grateful for the weight of taking a life, because it reminds me that it is serious, and reminds me to take the production of life seriously, because at some point any life I cause to come into existence via breeding animals will have to end.

On top of that, some things ARE heath related that do not seem health related. Aggression in domestic animals IS A HEALTH ISSUE. A cock is aggressive because he is stressed about intruders, containment, mating threats, resource guarding, etc. Even with the best of care this can be true, and unfortunately for you both, this means the animal is not suited for domestic keeping. The same goes for animals (in any stripe of use, but particularly private care) that display repetitive stress behaviors from normal, proper captive care (for example, mice that are food chewing are stressed and should be culled from lines where possible because they are not having a good time). You are doing them a disservice to keep them in a stressful situation you cannot change because of their biology. It has nothing to do with not being good enough for you, and everything to do with producing/keeping animals that do not experience that stress in captive care and releasing the rest from duty because they will not be okay in any captive care.

For some issues (poor egg laying, for example) you CAN pet-home culls instead of hard culling. It's harder to do, you will spend time finding people who just want pets that don't intend to breed or don't care, but it can be done. However!! Is the bird just slow at producing eggs because her genetics say that's how fast eggs get produced, or is she producing slowly because there's a health problem that isn't immediately evident? Is her ovary damaged, is her reproductive tract infected, does she have a disorder that prevents her from processing food correctly so she can't get what she needs to produce eggs as fast as normal? Are you setting the bird up for failure (and someone else for heartbreak/money troubles) sending them to a pet home? Is it something which could lead to pain/suffering down the road if she's allowed to continue? Hard to say without spending a lot of money. Are you willing to risk your reputation, if someone takes a surprise illness/genetic issue down the road badly ("Oh THAT breeder sold me a sick/unhealthy bird/bird with bad genetics"), and compromise your ability to find homes for healthy birds down the road?

You are okay with culling a bird for food- there's nothing that says you cannot eat the bad temperaments, the poor egg layers, the one with genetic issues, and so on. And if you can tell early enough that you, personally, can't make use of the meat, there are plenty of folks with other animals that would LOVE feed for those animals. Take yourself down to a local reptile expo, grab the business cards for a few people who have big snake babies (retics, burmese, anaconda, redtail boa, even BP) that say they'd be interested in taking culls, OR look up local bird of prey rescues in your area (or reptile rescues or big cat rescues if there are any) and ask if they'd be interested in culls. There is ALWAYS someone that can use what you can't/won't. You may have to jump through some hoops to donate to some kinds of rescues (health testing for example), but it's an option you can look into if you want to combat the feelings you're talking about.

As a last note- and I am saying this gently and holding your face in both hands: do not anthropomorphize animals in reality.

In YOUR eyes, you are culling them an illness or an injury or for food or for temperament or for poor quality or or or---- it does not matter to the animal why you are culling them. A death is a death, to them. They are here, and then a thing happens, and they are no longer. They do not understand life or death or afterlife or reincarnation or that they are here for a purpose or not a purpose or literally anything you as a human might impose upon them in your head. They live while they are alive, and then they are not. They do not "want to live" in the "avoid death" sense because they do not necessarily understand "death" as a future concept. Instincts that have worked well to preserve life have been encoded in their DNA to one degree or another, they can and do respond to avoid pain, but with little exception (like... maybe elephants and dolphins and a crows and a few others), it's unlikely that they understand the connection between doing those things and being alive/avoiding death.

So while TO YOU it may feel like telling the bird they are not good enough, and TO ME it feels like allowing the bird to move on in peace... the bird doesn't know either way, and honestly the reason hardly matters. It is alive in the present, and one way or another it will not be alive someday, and you are responsible for making sure that the one way under your control is so peaceful or quick that the bird hardly knows it is no longer alive. The bird doesn't care about (and cannot understand) the why of their death, any more than they understand their pain/stress and how it relates medical assistance; it's why animals often freak out, refuse meds, etc. They don't hate the vet or the car or the carrier or anything- they just simply don't understand human stuff and react according to instincts/what they do understand. If you treat an animal like the animal it IS rather than the person you imagine it to be, you will find yourself with a lot better relationship with them during life, and be able to frame their passing a bit better later on.

[etherealkissed88]

how i manifest when i feel anxious •°. *࿐

i decide i have what i want…

when i feel anxiety -> i let it pass while knowing its only a human reaction

◦ since i am beyond just a human (i am limitless imagination/self), i know any anxiety is below me and it has nothing to do with my limitless self. i have exactly what i decided i have, regardless of any anxiety.

know anxiety usually comes from a fear of failure

◦ so, i cannot limit myself based on what i see or what i negatively assume my future will look like bc i am always beyond the 3d, no matter what feelings/anxiety my human self experiences.

◦ i become indifferent/i dont care about what i see or what i assume i will see because i know everything comes together in the 3d once i change self/know its done. fact: everything always comes together and works out in the end. being indifferent to the 3d = being indifferent to emotions, anxiety and everything that doesnt serve you.

dont fight it, dont avoid it, tackle it head on

◦ acknowledge you are experiencing anxiety bc you are. yes it can feel like shit but it doesnt have to affect who you are being (whatever version of self you are embodying). again, i can choose to be indifferent to this anxiety. you dont have to be scared of the anxiety. it is a natural human response. cry if you need to, let it all out. dont try to suppress it bc that will only come to bite you back in the ass, believe me.

◦ take care of your mental health in whatever ways necessary. when i used to experience anxiety, i used to take walks in the park, clear my head, meditate, express myself and my emotions through art and journaling, etc. remember nothing you do (or feel) in the 3d has to affect who you are being/your state.

"how can i still have anxiety yet still be a desired version of me?"

anxiety has no affect on anything unless you allow it to change your identity. you are the one with power, the anxiety is only an experience, similar to breathing in oxygen and using our sense of touch; its all neutral. when you start surrendering to the anxiety, you are creating and accepting negative stories that you create based on the feeling of anxiety. allowing that anxious feeling to change your state/identity is surrendering to something you view as more "powerful" than you. stop transforming that anxiety into a state that you embody based on the false, negative stories u imagine.

remember a 3d experience or anxious feelings doesnt have to influence who you are being. an example: a model who knows (fulfilled) that she is graceful and beautiful can have anxiety about doing her catwalk. the anxiety is normal, she can experience the symptoms of anxiety (shortness of breath, dry mouth, shaking) but her core identity/state is still a graceful model. the anxiety is only a temporary feeling. usually when we experience these feelings, they occupy all of our attention in that moment which is why it seems so scary but in reality, its not that big a deal. know that anxiety is just a feeling. you are safe. you can still experience shitty feelings while knowing you are a bad bitch!

you dont always identify with everything you experience. for example, a lot of people experience good things and still identify as people who are unworthy of good things. so its really up to you to choose what to identify with.

i know my only job is knowing its done

◦ if i just decided its done, as the operant power, as i say goes, therefore its done. so my job is done. anxiety is part of the 3d, not my limitless self, imagination. so i can be indifferent and experience it without identifying with it, the same way people manifest what they desire while experiencing their shitty circumstances daily (because they do not identify with those shitty experiences).

◦ ive heard/experienced situations where we know its done yet we cried and felt like shit, and what we wanted still manifested into the 3d. bc anxiety is only a feeling. do not allow your feelings to take hold of your state, but if it does, its never the end of the world... just get back in the state. 3d shit/anxiety doesnt have to intervene with who you are being/what you identify with.

kisses, jani ☆

[joyful-soul-collector]

I've seen a lot of people talking about how Barbie talks about how the patriarchy affects women and how well it does that, so I wanna talk about how Barbie talks about how the patriarchy affects men and how well it does that. Because it does that really well tbh.

At the beginning of the movie, it's made very clear that the Kens are constantly competing with each other, and trying to prove their worth, their Ken-ness, to both the Barbies, and more importantly, to the other Kens. In fact, multiple times through the movie it's shown that Ken seems to find the opinions of other Kens as a motivator for him to do things. He tries to show off to Barbie only after he sees the other Kens saying hi to her. He only starts dancing with Barbie when he sees the other Kens dancing with her. He only goes with her to the Real World after another Ken accuses him of cowardice and he decides to prove him wrong. Barbie says "Ken's not cool!" and Ken responds "He is to me."

This shows so damn well what the patriarchy is like for men. Because for the Kens it's not necessarily about Barbie, it's about what other Kens think of you. Being a man you are constantly, incessantly trying so damn hard to prove to the other men around you that you are a man, the manliest man to ever man, the best Ken to ever Ken. Literally doing backflips trying to prove yourself. And this is before patriarchy is even officially introduced to the story, there's no undertone of power yet, this is just what it's like to be a man around other men. It's toxic masculinity.

And when the patriarchy is introduced, that's increased tenfold. At first it looks like they've banded together to take power, but really they're still competing with each other, they're just doing it differently. Rather than competing to see who can get Barbie to fall in love with them, they're competing to see who can be the manliest, have the manliest stuff, wear the manliest clothes, have the manliest house and decorations.

And then they literally go to war. War is considered one of the few places where it's socially accepted for men to be more emotional, form deep and personal bonds with other men, and that's exactly what happens in the movie. They go to war, and there's an entire song where they bond and learn not to fight with each other anymore.

And that I think is the message from the Kens. For men, the way the patriarchy affects them is it forces constant competition and animosity, even around people that are supposed to be your friends. It makes it impossible to express your feelings unless they're with a romantic partner, and all of this turns you into a pent up ball of emotions with nowhere to go.

Which means that the message is: In order to fix the way the patriarchy oppresses men, men need to learn how to form close bonds with people, especially other men. Because like Barbie said to Ken, he needs to discover who he is without her. Men have learned to lean on women as a crutch, using them to figure out how to Be A Person and express emotions in a healthy way, but this can very quickly turn into a woman feeling like she needs too be his mother and teach him how to do these things. And Ken was 100% doing this, or at least he was trying to throughout the movie. Ken was so desperate for Barbie to be in love with him, not necessarily because he loved her, but because he needed a person he could just exist as himself around. Because he couldn't do that with the other Kens, the only person he could be himself around was Barbie.

And what's so great about the end of the movie is that the Kens did eventually figure out how to form close bonds with each other! They went to war, argued and fought, but by the end of the song they were holding hands, kissing each other on the cheek, telling each other they were enough. Even when Ken is up in the dreamhouse, crying and saying that he looks stupid, all the other Kens start shouting back up to him, saying that he looks cool. And Ken responds by giving one of his new friends his coat, which was clearly very important to him.

What the Kens did, that's what men in the real world need to do. They need to form close bonds with other men and stop competing with each other. Hopefully not by going to war the way the Kens did, Barbie isn't a blueprint for solving the patriarchy lol.

I'd be happy to do it through a song though.